Parsberg’s documentary and research-basedwork deals with power dynamics in relationships and is often in clear respond to current, pressing issues. In recent years, she has created several public works addressing structural powerlessness in political relationships, shedding light on contemporary Swedish society.
During the late 1990s, Parsberg was part of an experimental art scene that dealt with questions about the significance of images, the body, and power. Don’t be stupid (1997) is documented performance filmed from above, where a naked woman frantically strikes a naked man in a boxing ring. The woman continues to strike until she falls to the ground. The woman’s blows to the man can be juxtaposed to a structural fight against the prevailing view on gender. The outcome of the boxing match, with the woman exhaustedly collapsing, can be seen as inevitable as the struggle against the patriarchal gaze is destined to be lost. Regardless of the 26 years that has passed since 1997, there is a strong affinity between the subject matter and today’s post-Metoo political climate.
Text: Sofia Ringstedt, curator of the filmprogram Borderland - where outer and inner meet - a collaboration between Magasin III and Art Initiative.

