New research strives to reposition Artificial Intelligence (AI) at the crux of the management debate by arguing that augmentation cannot be neatly separated from automation.

Love is the message, the message is death by Arthur Jafa

Ingela Ihrman´s One Fig (2020) is screened on Lill-skärmen in the north corridor on the ground floor of Sveavägen 65, in relation to The Toad on the big screen and the big Ingela Ihrman show at...

The custom made chandelier by Lindsey Adelman in the Heckscher-Ohlin Room is part of a series of luminaries created by Adelman called Agnes. Adelman drew inspiration for the series from the fictional...

Untitled (Mirror) by Barbra Kruger is part of the SSE permanent collection. The American world-famous artist Barbara Kruger is known for her work with imagery and words, frequently borrowing from the...

The screen looks white and empty at first, but when the viewer concentrates on the plexiglass in front of the screen the hidden film buried under the white light becomes visible. It is a classified...

The London-based Bangladeshi-British artist Rana Begum has during the summer of 2023 transformed room 538 in SSE´s main building at Sveavägen 65 into an art installation and a learning environment...

Mikhail Kasyanov, former Prime Minister of Russia and an outspoken critic of President Putin, gave a presentation on the political situation in Russia on the 16th of November at SSE. 

Ina Ganguli, Assistant Professor at the University of Massachusetts Amherst and SITE Affiliated Researcher, is the winner of this year’s Russian National Award in Applied Economics.

The Japanese-German Center Berlin (JDZB) in cooperation with the European Japan Advanced Research Network (EJARN), Stockholm School of Economics (SSE) and Freie Universität Berlin (FU)